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Christopher Bono : ウィキペディア英語版 | Christopher Bono
Christopher Bono (pronounced /ˈboʊnoʊ/) (born 1979) is an American composer, producer, and songwriter. He is the founder of the ambient post-rock band Ghost Against Ghost, experimental ensemble NOUS, and arts collective and record label ''Our Silent Canvas''. Bono began playing the guitar when he was 21 after being injured while playing baseball at the University of South Carolina. For several years he toured, recorded, and performed in an alternative roots-rock style. In his mid-20s, he made the choice to learn classical composition techniques and for seven years, in nearly hermetic isolation, he taught himself to read music, and studied composition independently with Juilliard professor Kendall Briggs and at La Scola Cantorum in Paris. In 2010, Bono began the independent label, ''Our Silent Canvas'', a non-profit multi-media arts collective. ''Our Silent Canvas'' organizes performances and events featuring the works of contemporary composers and visual artists. "The aspiration is to offer an opportunity for artists, musicians, and composers to reach a more diverse audience through alternative venues and environments."〔(【引用サイトリンク】url=http://www.oursilentcanvas.org/about )〕 ''Our Silent Canvas'' works to encourage exploration of the complete sensory experience, by developing performances featuring a collaboration of these various arts.〔(【引用サイトリンク】url=http://www.oursilentcanvas.org/about )〕 ==Invocations==
Bono’s first classical album, ''Invocations'', a chamber music collection, was released in fall 2012 and on vinyl in August 2013. ''Invocations'' features music for string trio, string quartet, and chamber ensemble, enhanced with electronics and field recordings. ''Gramophone'' magazine declared, “If you like Michael Nyman, you’ll probably like Christopher Bono.” ''NewMusicBox'' writer Frank Oteri wrote, “While much of 21st-century contemporary composition is not beholden to any rules, to the extent that I could probably claim everyone to be an ‘outsider’ in some ways, Bono’s music sounds as though everything he writes is something he is discovering for the very first time, even if there are clear reference points throughout to the sound worlds of other composers from both our own time and other eras.”
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